I make installations that try to represent the rhythm of time and space by means of extensive visual means. During the initial stadium I make carefull decisions to give the final result of each project a unique place in the framework of my work.
Herein I visualize something untouchable such as time and space, light and darkness in a object or entity in itself.
My works are like experiments to take form in a sculpture to such an immaterial given. Each project gives me both contextual as material carte blanche to get to the content where I am looking for.
The concept, location, material control and realization are carefully calculated per project in the view of the new situation that the times make exist.

I refer myself in making installations to everyday use and rare utility objects and phenomena such as a bed, a light-source, a mirror, a camera. These means offer the spectator a new objective of the used object or phenomena within the given context of the project. Within this I want to investigate the essence of these entities and reuse their visual force.
If my work enters into the same visual framework as the referenced material, I get the idea of having succeeded my task.
Within the latest projects I refer myself to light as entity in both natural as artificial form. I am looking for solutions to make visible light in an altered dimension.